Every time I deal with LANDR, CD Baby, or DistroKid, I lose a little more hair.
I just want to upload music and publish it. Instead: metadata forms, review queues, royalty splits across seventeen intermediaries, dashboard hell, and platforms that could change terms or shut down whenever they want.
So I built D'audio—a decentralized streaming platform using Shelby for storage and Aptos for payments. You upload, it publishes. That's it.

AWS and Azure outages keep making the case. Centralized platforms are single points of failure. They go down. They change terms. Sometimes they just disappear.
Decentralized storage solves this. No single server to fail. No platform deciding what's allowed. Creators connect directly to listeners without someone in the middle taking a cut or making rules.
Shelby handles hot storage on Aptos the way early stablecoins handled dollar-pegged value—it's infrastructure that seems obvious in retrospect but barely exists yet.
My recordings are on D'audio—same music that's on Spotify and Apple Music, but without intermediaries:
Everything's free and playable 24/7. Publishers can list for free (always tip-eligible) or require pay-per-stream (beta).
Note: Currently on Shelby Devnet—content gets wiped monthly. Once mainnet launches, uploads become immutable (within ToS).
Without a wallet:

With a wallet:

Built because DistroKid made me lose my hair
Every time I deal with LANDR, CD Baby, or DistroKid, I lose a little more hair.
I just want to upload music and publish it. Instead: metadata forms, review queues, royalty splits across seventeen intermediaries, dashboard hell, and platforms that could change terms or shut down whenever they want.
So I built D'audio—a decentralized streaming platform using Shelby for storage and Aptos for payments. You upload, it publishes. That's it.

AWS and Azure outages keep making the case. Centralized platforms are single points of failure. They go down. They change terms. Sometimes they just disappear.
Decentralized storage solves this. No single server to fail. No platform deciding what's allowed. Creators connect directly to listeners without someone in the middle taking a cut or making rules.
Shelby handles hot storage on Aptos the way early stablecoins handled dollar-pegged value—it's infrastructure that seems obvious in retrospect but barely exists yet.
My recordings are on D'audio—same music that's on Spotify and Apple Music, but without intermediaries:
Everything's free and playable 24/7. Publishers can list for free (always tip-eligible) or require pay-per-stream (beta).
Note: Currently on Shelby Devnet—content gets wiped monthly. Once mainnet launches, uploads become immutable (within ToS).
Without a wallet:

With a wallet:
